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Yau Kung Mun martial arts are divided into 12 dan or sections. The first three sections include Yau Kung (Flexible work) 18 Double Pushing Palms. The movements of these three sections are smooth and moderate. Agility, correctness of postures and firmness of waist and stance are emphasized. Firmness of waist and stance are stressed because if these cannot be achieved, the full benefit of ‘flexibility’ cannot be exploited. Sections 4 to 6 are specially designed for use in free-sparring. The main idea governing these three sections is to try one’s best to use the opponent’s own force to hit him back or cause him to lose his balance. These 3 sections are in fact a practical application of the techniques of the first 3 sections — putting theories into practice, so to speak. Therefore the second 3 sections are called KUNG, or practical work. Sections 7 to 9 are called Yau Kung Kuen (Flexible Work Boxing Form). These sections are practiced on the theory that ‘Flexibility at its ultimate is rigidity and vice versa rigidity at its ultimate is flexibility. However, practice of Yau Kung Kuen’s subtle strength shows more rigidity than flexibility and its hand patterns are seemingly flexible or yielding but in essence and spirit are rigid. The majority of the hand patterns in Yau Kung Kuen are executed with ‘Short Bridge’, or half stretched forearms. Its fist techniques include LU HO (Six Coordinates) WU HSING (Five Forms), TUNG CHIEH (Straight Through) and SAO TANG (Sweep Attack The Lower Limbs). These techniques are all seemingly flexible but are rigid in essence. This rigidity is turned into subtle strength and the subtle strength radiates throughout the whole body boosting the stamina and heightening the expertise of the practitioner. By practicing the first three sections of Yau Kung Mun, smooth and efficient blood circulation throughout the whole body is achieved. Minor ailments are healed and the practitioner acquires a sense of well-being. Then with the training on rigidity of sections 7, 8 and 9, subtle strength radiates throughout the whole body and the stamina of the practitioner is thus greatly increased. Sections 10, 11 and 12 specialize in the manipulation of long and short weapons of all kinds. These include LU HO Plum Blossom Left Spear, LU HO Double-edged Sword, Arrow Step Single Broadsword, Dragon Entwining Pole, Dragon Entwining Double-headed Spear, Hurricane Double Axe, Plum Blossom Hooks, Nine-ringed Long Handle Scimitar, The Bench and the harrow. Manipulation of all the above-mentioned weapons is according to the theories of LU HO (six co-ordinates) and WU HSING (five forms). The Six Co-ordinates are divided into internal co-ordinates and external co-ordinates. Internal coordinates include CHING (vigor), SHEN (spirit) and CHI (breath or second wind). External co-ordinates include the hands, the eyes and the feet. The internal and external co-ordinates must complement one another in order to afford full benefits; otherwise the practitioner’s chance of success is very slim. The five forms are nothing but the emulation of the movements of dragon, serpent, tiger, leopard and crane. When the movements are flexible, they are like the movements of the dragon and the serpent and graceful like a dancing crane. When the movements are powerful and rigid, they are like those of the tiger and the leopard in action. YAU KUNG MUN martial arts stress the importance of strong wrists and agile footwork. Therefore those who practice this style of kungfu must spend considerable time and efforts in training to strengthen their wrists and improve their footwork. Section No. 3 of 18 Double Pushing Palm Techniques has a typical hand pattern titled ‘Lion Rolling Ball’ that specializes in strengthening the wrists. This is done by lifting both arms to chest level with the palms of both hands facing each other and then the hands move in such a way as if they were holding and fiddling with a big ball. This movement looks very simple but it is very effective in strengthening both wrists & for the training of footwork. Pa Pu Kan Chan (chasing the cicada with 8 steps) is the typical system used in training. In YAU KUNG MUN Kungfu, footwork and hand techniques are equally important. Equal time and effort in training by both systems are desired; otherwise success can hardly be achieved. 18 Double Pushing Palm 18 Double Pushing Palm is that portion of YAU KUNG MUN Kungfu, which is famous for its efficacy in engendering good health. Movements during exercise are relaxing, while no exertion of force is necessary. The forms of the body changes with the mind, which is in peaceful calm, the breath is regular and rhythmic and the posture is convenient and comfortable. The movements of this 18 Double Pushing Palm are combinations of rigidity and flexibility as well as Yin and Yang, arranged in a smooth flowing form. Constant practice for those who are weak may have the effect of improving their blood circulation and strengthening their muscles. Because of the regular expansion and contraction of the diaphragm the respiratory system and even the nervous system are strengthened. The whole body thus benefits a great deal from it and the practitioner acquires a great sense of well being, feeling very fit. Good health and longevity may be achieved if this boxing form is practiced regularly. The hand techniques, postures and footwork of this boxing form are in strict accordance with the theories of Chinese kungfu and therefore are most effective for self-defense. However, some special rules must be followed when practicing this form: the tip of the tongue must curl up a bit and touch the palate, the shoulders must droop and the elbows slump, the chest must not stick out and the abdomen must be withdrawn, the back must be straight and the posterior must not protrude. Carry out abdominal breathing instead of thoracic respiration, inhaling and exhaling must correspond with each and every movement otherwise the practitioner cannot reap the full benefits. 18 Double Pushing Palm is divided into three portions. The first portion is mainly for the purpose of giving the body a good muscular tone. The second portion is mainly for the purpose of self-defense, and the third portion concerns the acquisition of internal work. When practicing the first portion, the movements must be relaxed and no exertion of force is required. Because the movements are relaxed, the nerves and muscles of the whole body are not strained by tension and therefore are more supple and responsive. So the more you practice, the more agile and quick in response you will become. As the mind controls the will and the will generates power, which improves and regulates the blood circulation, reflexive response will be more acute. Both the circulation and respiratory systems will be greatly strengthened. No other exercise is more effective and thorough than this. The second portion deals with hand techniques, postures and footwork. Its training concentrates on 3 "Figures". The 3 "Figures" are ‘Round’, ‘Flat’ and ‘Thin’. The figure ‘Round’ is for the training of hand-techniques which seldom or never have the arms fully stretched. The force or strength employed is subtle. When attacking, the force of strike travels in a straight line, whereas in defending the force employed travels in an arc or circular movement. This is in strict accordance with the theories of pugilism and because the movements are swift and circular like the movements of a dragon, we call this the figure ‘Round’. The figure ‘Flat’ refers to the training of postures and body forms. This requires the practitioner to keep his head leveled, shoulders drooped, chest and abdomen withdrawn, even as the back must be straight and the posterior must not protrude. To give these forms more vivid descriptions, they are named the leopard’s head, the monkey’s chest, the tiger’s back and the dragon’s waist. The "Leopard’s Head" requires that the practitioner keeps his head leveled and look straight at his opponent to watch his every move. The "Monkey’s Chest" requires that the practitioner withdraws his chest so that the opponent will have to stretch his arm further out if he wants to attack you, thus putting himself in a disadvantageous situation vulnerable to your attack. "Tiger’s Back" and "Dragon’s Waist" signify the agility and mobility of the body during attack and defense. Because the body forms adopted in this ‘Figure’ are shorter than usual, we use the word "Flat" to describe them. The figure ‘Thin’ is the basic principle of footwork. This signifies the swiftness and mobilityof footwork equally in advance or retreat, or stepping sideways. This is important because footwork is the means of evading and also approaching the opponent. A comprehensive study and practice of the 3 ‘Figures’ gives one the expert knowledge of self-defense. In practicing the third portion one must practice the ‘Lion Rolling Ball’ form thoroughly. This form is the most effective method of training and strengthening the wrists, the back, the waist, the abdomen and even the legs. In practicing this form, the practitioner must curl his tongue so that the tip touches the palate. His chest must not stick out and the abdomen must be withdrawn. His back must be kept straight and the posterior must not protrude nor use the pubic region instead of the chest for breathing. Standing posture assumed is in Yee Chi Kim Yeung Ma (Internal-Rotated Adduction Stance) arms stretched forward to the height of the shoulders with open hands holding an iron ball weighing 10 lbs. or above. To exercise, the practitioner rolls the iron ball in his hands up and down left and right in all directions. This exercise is very tiring but is also very effective. After a certain time when the practitioner feels that he is fairly strong and proficient, he may change to use a larger and heavier ball, weighing 20 lbs. or even more. Then when he feels that his stamina has greatly improved, he should change to use a wooden ball instead. Finally he should change to exercise with bare hands. The idea is to allow the practitioner to practice rigid strength first which is easier to perceive and supple force afterwards, which is even more difficult to master. The idea of curling the tongue so that its tip touches the palate and using the abdomen instead of the lungs to breath is to enable the air breathed in to travel through the whole body from top to bottom and then upwards through the back before it is being exhaled. This is a feat not acquired easily. Constant endeavor and strenuous practice under proper supervision and guidance are necessary if success is desired. Those who succeed are said to have the two vertical arteries YUM and TUK communicating at the back of the body thus enabling the air breathed in to travel a full circle through the body like the earth orbiting the sun in a vertical manner though. He who can achieve this will have his stamina increased to an incredible extent. Shoulders drooping with elbows slumping, the back must be kept straight and the posterior must not protrude - all these have the effect of further strengthening the back and the waist. Standing with the posture of Yee Chi Kim Young Ma (Internal Rotated Adduction Stance) with the chest and abdomen withdrawn and the waist bending forward and backward will strengthen the chest, the abdomen, the waist and even the legs. Hands, holding and rolling the iron ball will strengthen the wrists thus making this form a perfect and all round exercise. On The Philosophy Of Attacking And Defending According to the methods of practice, the second portion is for the purpose of improving the techniques and the third portion is for the acquisition of internal work. Such arrangements are most becoming for the practice of the philosophy of defense and attack. The philosophy of pugilism is that the practitioner must first have a thorough understanding of the theories of defense and attack. To attack is to take the initiative with an aim to subdue the opponent before he could organize an effective defense. To achieve this, one must be swift, vigorous and accurate in his attacks. To be swift is to strike when the opponent is least prepared. To be vigorous is to strike at the opponent’s vulnerable points so that the opponent will not be able to retaliate after being struck by your blow. To be accurate is to hit the target intended. If you do not hit the target intended, you will waste your own ammunition (strength) and give the opponent a chance to retaliate, which might lead to your losing the fight. So the three elements mentioned above are most vital. As regards the problems of prowess and proficiency, it is a question of diligence in practice and training. For those who have trained in pugilism, even though their physique and strength are inferior, but if they can hit vigorously and accurately, might bring down those who are much superior in strength but have less or no training in martial arts. If one of the two parties in combat is superior in technique but inferior in strength, and the other party is just the other way round, then the party who is superior in technique should take the defensive at the beginning and wage the war of attrition to wear down the opponent’s energy. Then when he detects that his opponent has worn down, it is the time for him to retaliate. His opponent, although superior in strength and even if has taken the initiative, will have accomplished nothing in his initial attacks and to make matters worse he would have lost much of his strength. The outcome of the combat is obvious as the party who is superior in technique, though inferior in strength, will most certainly win. Supposing the standards of technique are equal and one part is superior in strength, then of course this party is likely to win. But experience and will power also play an important role in deciding victory. To conclude, in both defense and attack, technique is the major and decisive factor and strength is only secondary.
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